Ghanaian artiste manager and Hitz FM pundit, Mr Logic, has criticized music producer Hammer, holding him responsible for the decline of the once-thriving hip-life genre in Ghana since his departure from the industry.
Speaking on Daybreak Hitz on Hitz FM, Mr Logic expressed his discontent with the current state of hip-life and attributed it to Hammer's exit, asserting that Hammer failed to uphold the genre's legacy, leaving an unfilled void.
He insisted that, Hammer failed to uphold the legacy of the genre, leaving a void that is yet to be filled.
“Our problem is with leadership. It’s important Okyeame Kwame acknowledged they didn’t do something right. I respect Hammer, but he left a generation down. If we are talking about why Hip Life doesn’t matter, and they don’t have a category on the digital stores, popularize it, and they will find a way for it,” Mr Logic stated.
He indicated that, Hammer played a pivotal role in shaping the careers of notable artistes such as Sarkodie, Kwaw Kese, Edem, Tinny, and TeePhlow.
Mr Logic praised Hammer’s ability to modernise hip-hop, introducing new trends in instrumentation and culture to the genre.
However, he said many talents would have nurtured if Hammer had continued to play a key role in hip-life.
“People lost the excitement for hip-life when Hammer and co resigned and said they were going to sell bread. You have instituted a movement and ignore to go and sell bread? he fumed.
Mr Logic also drew attention to the impact of Hammer’s departure on the next generation of artistes who may have missed the opportunity to work with the influential producer.
“Hip Life got lost. He brought in a certain trend of instrumentation and a certain culture. Obrafour singing highlife and Sarkodie rapping hip-hop… that’s it. Hammer modernised hip-hop, and then one day he leaves. How about the next generation that wanted to work with him?” Mr Logic questioned.
Nonetheless, Mr Logic made a case for the potential growth and recognition of the genre on the international stage.
He added that, if Hammer had continued, genres like “Asakaa Drill” could have been categorized at prestigious awards like the Grammys.
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